This is part one of a twofer, since I managed to not only finish one book today, but then managed to finish the other book I had on me.
Anyway, I recently won an auction and got the 4 books that currently make up The Withrow Chronicles by Michael G. Williams. The first book, Perishables, spends two of three sections narrated by Withrow, a fairly young vampire in North Carolina, who in the third act meets the narrator of the second act, Jennifer.
Withrow lives in a HOA supervised community. He's at the HOA Spring meeting actually, when the zombie attacks happen. While it's implied the zombies only break out in the Research Triangle, it still doesn't change that there's no room in hell and the dead are walking the Earth and causing traffic backups in the community.
Then we meet Jennifer, who's a computer supervisor at a Baptist college up in the mountains. Where there are several cemeteries. This leads to the entire student body pulling a Lord of the Flies style maneuver, with the baseball team raiding the food supply.
In the third act, Jennifer is working at a new dead end job in retail on Black Friday, at the store where Withrow is standing in line for a Blu-Ray player. A particular customer, who's preaching at her phone that Jesus better help her get a TV for her son, gets trampled, releases a Soviet era nerve agent that manages to turn her and the guy trying to help her up into zombies. These zombies also happen to be the variety that move fast and can transmit the zombie plague via bite. Also, they share a hive mind.
At the end of each chapter, we get recipes for some strange concoction that was mentioned in the preceding prose. Ambrosia salad, snack cake bread pudding, and icebox cake. Thankfully not included is the recipe for jellied beef.
It's a wonderfully silly read, and his commentary about people's actions on Black Friday were too true to be truly funny.
Wednesday, October 11, 2017
Saturday, October 7, 2017
Acts of contrition
So, I recently found a book I last read back in high school that I remembered really liking. What I found out is that what I enjoyed as a child kind of terrifies me as an adult.
The book, Penance, by Rick R. Reed, concerns teenage hustlers living on the streets of Chicago, and how one, Jimmy, winds up setting off a pedophile serial killer. Jimmy is hustling, when he gets picked up by Dwight, who thinks that only through pain can street trash be redeemed. That the pain he's giving helps him get his jollies is another matter entirely. Jimmy manages to make a break from it when Dwight's wife comes home a few days early. This inspires the wife to take thier daughter and leave Dwight.
This of course sets Dwight over the edge, who in turn builds a torture dungeon in his basement. Said basement is soon filled with Jimmy's friends, while Dwight stalks Jimmy.
Jimmy, in the meantime is aided and also antagonistic with Father Richard, a priest who's also a pedophile. Difference being Richard is is SAA and doing his best to fight the urges, and unlike Dwight, isn't blaming the hustlers for his issues.
While the book still remains entertaining, things I found titillating at 15 when I last read this are now a heck of a lot more terrifying at 41.
Which is another discussion, since it makes me wonder which other books I read at that age range would inspire a different reaction in me now. Stephen King's IT comes directly to mind, since I was around the age of the boys at the beginning when I first read it, and spent much of my time thinking how cool it would be to be attacked by Universal Monsters.
Also, Penance was one of the Dell Abyss imprint book, of which not that many were published. However, as I was reading through the titles at the back of the paperback, I was amused at how many books released in the line still line my shelves from authors like Poppy Z. Bright and Kathe Koja. I think Nancy A. Collins may have had a title or two under the heading. As I recall, the line was based on Nietzsche's line about the Abyss staring back into you, and was supposed to feature stories less about supernatural monsters and more the horrors of humanity. Quite frankly their success with taht was hit or miss, but most of the books in the line I did wind up enjoying.
The book, Penance, by Rick R. Reed, concerns teenage hustlers living on the streets of Chicago, and how one, Jimmy, winds up setting off a pedophile serial killer. Jimmy is hustling, when he gets picked up by Dwight, who thinks that only through pain can street trash be redeemed. That the pain he's giving helps him get his jollies is another matter entirely. Jimmy manages to make a break from it when Dwight's wife comes home a few days early. This inspires the wife to take thier daughter and leave Dwight.
This of course sets Dwight over the edge, who in turn builds a torture dungeon in his basement. Said basement is soon filled with Jimmy's friends, while Dwight stalks Jimmy.
Jimmy, in the meantime is aided and also antagonistic with Father Richard, a priest who's also a pedophile. Difference being Richard is is SAA and doing his best to fight the urges, and unlike Dwight, isn't blaming the hustlers for his issues.
While the book still remains entertaining, things I found titillating at 15 when I last read this are now a heck of a lot more terrifying at 41.
Which is another discussion, since it makes me wonder which other books I read at that age range would inspire a different reaction in me now. Stephen King's IT comes directly to mind, since I was around the age of the boys at the beginning when I first read it, and spent much of my time thinking how cool it would be to be attacked by Universal Monsters.
Also, Penance was one of the Dell Abyss imprint book, of which not that many were published. However, as I was reading through the titles at the back of the paperback, I was amused at how many books released in the line still line my shelves from authors like Poppy Z. Bright and Kathe Koja. I think Nancy A. Collins may have had a title or two under the heading. As I recall, the line was based on Nietzsche's line about the Abyss staring back into you, and was supposed to feature stories less about supernatural monsters and more the horrors of humanity. Quite frankly their success with taht was hit or miss, but most of the books in the line I did wind up enjoying.
Thursday, October 5, 2017
For Puck's sake...
So, evidently back in 2010, I started and never finished Chris Adrian's The Great Night, and bothered to mention it on Facebook. So, I requested it again and finally finished it on lunch today. And remembered why I never finished it 7 years ago.
It's an interesting concept but a really terrible execution of the premise.
Let me explain. It's billed as a retelling of Shakespeare's A Midsummer Night's Dream, and insofar as Titania and Puck being characters, it does have that in common with the original. There is a troupe of actors in the park on Midsummer Night, although they're rehearsing a musical version of Soylent Green to guilt the mayor of San Francisco into quitting his program of killing the homeless for food. And instead of 4 young lovers, we have 3 people with some commonalities trapped within Buena Vista Park as the fairies run free.
As the set up, it's Midsummer. Titania is missing Oberon, who vanished following a rather bad fight years prior. She decides to free Puck from his bondage, and he goes all beastly and starts trying to kill everyone, saving the Queen for last.
In the meantime, we have the actors (as mentioned above) running around, and three people who got lost on their way to a party in the neighborhood. Henry, the gay pediatrician who's lover just delivered a Taylor Swift breakup to him; Will, who's ex is supposed to be at the party he was trying to get to; and Molly, who dropped out of Chaplain training to become a clerk.
We spend much time in their heads, reliving their pasts and eventually find the connection between the three of them. We also learn slowly about why Titania got so mad with Oberon, dealing with a mortal boy who died of leukemia during his time as a changeling Underhill.
Oh yes, mortality is one of the biggest underlying themes in a book about mostly immortal beings. And not very subtly handled either. From Molly's ex's suicide to Henry's missing youth, to Will's inability to relate to women... To Titania eventually accepting that even the immortal can die and Puck realizing his own role in the shenanigans.
Honestly, save yourself the trouble of suffering through reading this and go read Shakespeare in the original Klingon instead.
It's an interesting concept but a really terrible execution of the premise.
Let me explain. It's billed as a retelling of Shakespeare's A Midsummer Night's Dream, and insofar as Titania and Puck being characters, it does have that in common with the original. There is a troupe of actors in the park on Midsummer Night, although they're rehearsing a musical version of Soylent Green to guilt the mayor of San Francisco into quitting his program of killing the homeless for food. And instead of 4 young lovers, we have 3 people with some commonalities trapped within Buena Vista Park as the fairies run free.
As the set up, it's Midsummer. Titania is missing Oberon, who vanished following a rather bad fight years prior. She decides to free Puck from his bondage, and he goes all beastly and starts trying to kill everyone, saving the Queen for last.
In the meantime, we have the actors (as mentioned above) running around, and three people who got lost on their way to a party in the neighborhood. Henry, the gay pediatrician who's lover just delivered a Taylor Swift breakup to him; Will, who's ex is supposed to be at the party he was trying to get to; and Molly, who dropped out of Chaplain training to become a clerk.
We spend much time in their heads, reliving their pasts and eventually find the connection between the three of them. We also learn slowly about why Titania got so mad with Oberon, dealing with a mortal boy who died of leukemia during his time as a changeling Underhill.
Oh yes, mortality is one of the biggest underlying themes in a book about mostly immortal beings. And not very subtly handled either. From Molly's ex's suicide to Henry's missing youth, to Will's inability to relate to women... To Titania eventually accepting that even the immortal can die and Puck realizing his own role in the shenanigans.
Honestly, save yourself the trouble of suffering through reading this and go read Shakespeare in the original Klingon instead.
Wednesday, September 27, 2017
Somewhere, over the rainbow
This book is over 30 years old, so I feel minorly confident I won't be spoiling much with this particular graphic, particularly since there are a few movies and stories that follow similar paths to a conclusion.
Anyway, we don't actually get into this until the last third of the book, and they honestly matter less than the humans reacting to them.
We really start with Dom, a novelist who's first novel is getting published. Dom's started sleepwalking, and building shelters while doing so. We also meet Ginger, a Jewish surgical resident in Boston, who starts having fugues at the sight of random objects. And Brendon, a priest who suffers a catastrophic loss of faith right in the middle of Communion.
These three form the center of about eight others who wind up back in Elko, Nevada, where everyone had stayed about 2 years prior. From there, we find that almost everyone in the group suffers from odd dreams and strange triggers. Through Ginger, we find out everyone had been brainwashed. Through Brendon's Rector, we find out the strange gifts of healing and telekinesis that Dom and Brendon share can be passed on to others.
In the mean time, we have Col. Falkirk at Thunder Mountain, who believes that the people involved in the landing are somehow possessed or no longer human and wants to exterminate those who regained their memories.
It's one of Koontz's longest books to come out of the 80's, but it's also one of his best. All the things that became hallmarks of his work, like technophobia the innate evil of mankind are not particularly present here. We only get one mention of infinity transmitters. It's also not nearly as nihilistic as other stuff from the era, as ultimately faith and hope come from the resolution. Worth the investment.
Anyway, we don't actually get into this until the last third of the book, and they honestly matter less than the humans reacting to them.
We really start with Dom, a novelist who's first novel is getting published. Dom's started sleepwalking, and building shelters while doing so. We also meet Ginger, a Jewish surgical resident in Boston, who starts having fugues at the sight of random objects. And Brendon, a priest who suffers a catastrophic loss of faith right in the middle of Communion.
These three form the center of about eight others who wind up back in Elko, Nevada, where everyone had stayed about 2 years prior. From there, we find that almost everyone in the group suffers from odd dreams and strange triggers. Through Ginger, we find out everyone had been brainwashed. Through Brendon's Rector, we find out the strange gifts of healing and telekinesis that Dom and Brendon share can be passed on to others.
In the mean time, we have Col. Falkirk at Thunder Mountain, who believes that the people involved in the landing are somehow possessed or no longer human and wants to exterminate those who regained their memories.
It's one of Koontz's longest books to come out of the 80's, but it's also one of his best. All the things that became hallmarks of his work, like technophobia the innate evil of mankind are not particularly present here. We only get one mention of infinity transmitters. It's also not nearly as nihilistic as other stuff from the era, as ultimately faith and hope come from the resolution. Worth the investment.
Sunday, September 24, 2017
Tying up loose ends by unravelling others
So, Since I guess there's been some local chatter about the drop in posts since the last one, I've had bronchitis, which put me on antibiotics and cough syrup. Neither of which makes me all that excited to focus on anything other than my eyelids. Also, bronchitis fills me with the urge to read Steven King's The Stand, although the only copy I have at the house in the original, not the later complete edition. And believe me there is a difference, although one could only wish that the original had cut some of the journey back to boulder. No, it's just as long and overdone in both version.
None of which has to do with the novel and novella I'm actually reviewing here.
Seanan McGuire wrote another October Daye Novel, The Brightest Fell, which also contains "Of Things Unknown", which concerns April O'Leary of Tamed Lightning.
The big section concerns Toby being sent on a quest not particularly willingly by her mother Amandine. Who wants Toby to find her sister August, who wondered off on the Babylon road about 100 years prior seeking to open the gates to Deeper Fairie and Oberon. In order to guarantee her cooperation, Amy forces Tybalt into Cat form and Jazz into Raven form and locks them in cages.
This requires waking one of her nemesis from elf shot to gain his assistance. That would be Simon, who turned her into a fish for several years at the beginning of the series. Simon is also August's father, and thus the best choice to assist in finding her.
Simon's twin brother, Sylvester does bind him prior to waking, ensuring his cooperation.
From here it gets ugly. The quest takes them from Amy's tower, through pixie land (where we find out Simon had helped relocate the pixies) , to Blind Michael's realm and to Anwyn, last seen being locked off to trap a psycho duchess. In the course of this journey, we catch up with characters still dwelling in these realms. Including a police officer who's been trapped in Anwyn since the realm was sealed again.
And back into San Franciso, where August is eventually found, another deal with the Luidaig is sealed, and some very ugly conclusions are reached.
And then we move into "Of Things Unknown", where in CyberDryad April figures out a way to release the souls trapped on servers to their bodies. What she succeeds at doing will likely have repercussions down the line.
Again, it's a well written a book in a well written series. I'm kind of curious which of the new threads she intends to start weaving with next.
None of which has to do with the novel and novella I'm actually reviewing here.
Seanan McGuire wrote another October Daye Novel, The Brightest Fell, which also contains "Of Things Unknown", which concerns April O'Leary of Tamed Lightning.
The big section concerns Toby being sent on a quest not particularly willingly by her mother Amandine. Who wants Toby to find her sister August, who wondered off on the Babylon road about 100 years prior seeking to open the gates to Deeper Fairie and Oberon. In order to guarantee her cooperation, Amy forces Tybalt into Cat form and Jazz into Raven form and locks them in cages.
This requires waking one of her nemesis from elf shot to gain his assistance. That would be Simon, who turned her into a fish for several years at the beginning of the series. Simon is also August's father, and thus the best choice to assist in finding her.
Simon's twin brother, Sylvester does bind him prior to waking, ensuring his cooperation.
From here it gets ugly. The quest takes them from Amy's tower, through pixie land (where we find out Simon had helped relocate the pixies) , to Blind Michael's realm and to Anwyn, last seen being locked off to trap a psycho duchess. In the course of this journey, we catch up with characters still dwelling in these realms. Including a police officer who's been trapped in Anwyn since the realm was sealed again.
And back into San Franciso, where August is eventually found, another deal with the Luidaig is sealed, and some very ugly conclusions are reached.
And then we move into "Of Things Unknown", where in CyberDryad April figures out a way to release the souls trapped on servers to their bodies. What she succeeds at doing will likely have repercussions down the line.
Again, it's a well written a book in a well written series. I'm kind of curious which of the new threads she intends to start weaving with next.
Friday, September 8, 2017
The curious incident with the sapphire dog in the mountains
As I again went digging through the pile of used books I've managed to collect this year, I came across Game of Cages by Harry Connolly, book 2 in his Twenty Palaces series. Mind you, I never read book 1, but hey....
I feel like I missed something in the set up. We start with the narrator, Ray Lilly, working in a grocery store, wondering if vaguely defined events in the last book were a dream. Then Catherine walks in, and we're headed out of Seattle to a small town in Northern Oregon, wherein an auction is taking place. Not just any auction, one where the big prize is something referred to as a Predator, a being from outside normal reality.
Catherine and Ray both nominally belong to some organization known as the 20 Palaces. They kill predators and those who summon them. Ray is something called a Wooden Man for Annalise, who is a Peer in the organization. Catherine is an investigator. (Still not sure oin all the rankings, but near as I can tell, the Peers actually use the sigils that create magic. Catherine has no magic of her own. Ray has protective sigils tattooed on him by Annalise. He also has a ghost know, which is for him, a slip of paper that can cut through anything. It also cuts away aggression when it hits humans or animals. Usually.
So, anyway, in the pecking order, Ray is somewhere under janitor. However, he's street smart.
They arrive after the auction has already ended. However, the winner is dead and the Predator has escaped.
A character who's pretty much Lo Pan from Big Trouble in Little China summons a predator that's a big ball of lightning. And everyone winds up trapped in small town Oregon a few days before Christmas chasing a Sapphire Dog. (Its method of feeding is to enchant humans to want to possess it, then fight over it. Kind of like Needful Things.)
We find out no one can leave town or sound the alarm as the bodies keep piling up. What passes for the local constabulary calls the staties for backup, and instead wishes them a Merry Christmas.
A peer does show up to take care of the issue, but he dies.
Annalise shows up, and she's glorious.
In the end, I begin to understand that we, the readers are looking through Ray's eyes and his complete lack of information on what the Twenty Palaces are. We get a brief glimpse at how magic in this setting works. We find out about other organizations unaffiliated or opposed to the Twenty Palaces.
It was interesting, and I enjoyed reading it. But I think I need to find book one to get a deeper understanding of what's going on here.
I feel like I missed something in the set up. We start with the narrator, Ray Lilly, working in a grocery store, wondering if vaguely defined events in the last book were a dream. Then Catherine walks in, and we're headed out of Seattle to a small town in Northern Oregon, wherein an auction is taking place. Not just any auction, one where the big prize is something referred to as a Predator, a being from outside normal reality.
Catherine and Ray both nominally belong to some organization known as the 20 Palaces. They kill predators and those who summon them. Ray is something called a Wooden Man for Annalise, who is a Peer in the organization. Catherine is an investigator. (Still not sure oin all the rankings, but near as I can tell, the Peers actually use the sigils that create magic. Catherine has no magic of her own. Ray has protective sigils tattooed on him by Annalise. He also has a ghost know, which is for him, a slip of paper that can cut through anything. It also cuts away aggression when it hits humans or animals. Usually.
So, anyway, in the pecking order, Ray is somewhere under janitor. However, he's street smart.
They arrive after the auction has already ended. However, the winner is dead and the Predator has escaped.
A character who's pretty much Lo Pan from Big Trouble in Little China summons a predator that's a big ball of lightning. And everyone winds up trapped in small town Oregon a few days before Christmas chasing a Sapphire Dog. (Its method of feeding is to enchant humans to want to possess it, then fight over it. Kind of like Needful Things.)
We find out no one can leave town or sound the alarm as the bodies keep piling up. What passes for the local constabulary calls the staties for backup, and instead wishes them a Merry Christmas.
A peer does show up to take care of the issue, but he dies.
Annalise shows up, and she's glorious.
In the end, I begin to understand that we, the readers are looking through Ray's eyes and his complete lack of information on what the Twenty Palaces are. We get a brief glimpse at how magic in this setting works. We find out about other organizations unaffiliated or opposed to the Twenty Palaces.
It was interesting, and I enjoyed reading it. But I think I need to find book one to get a deeper understanding of what's going on here.
Saturday, September 2, 2017
Lane closures ahead.
So, I picked up Night Work by Steve Hamilton at one of the clearance sales I went to this year, mainly because the cover art made it look like a good chiller. Which it wound up becoming, other than one thing. We'll come back to that.
The story centers around Joe Trumbull ("JT" to his friends) who lives alone in Kingston, New York. His apartment is one of two above a boxing gym, in what was the Kingston Greyhound. When we meet Joe, he's headed out on a blind date, his first date since his fiance was murdered a little of 2 years ago.
Joe's date goes well, she even forgives him for being a Probation Officer. Or doesn't mind. She doesn't matter, because they find her strangled in a grave yard a few days later, much like JT's fiancee was. (To be fair, fiancee was strangled and left in her bed.)
However, almost every woman JT interacts with over the next few days winds up being strangled, and the State Police discover that JT's necktie and shoelaces were the garottes.
So, needless to say, JT is the prime suspect, particularly since the deaths all resemble that of his fiancee's.
It's a good set up, and the plot moves at a speedy pace. Problem is, when we find out what is actually going on, the entire things falls apart. And not in the way things normally fall apart. More like the answer is mildly understandable, BUT goes so far over the top that it almost completely ruins the build up.
I guess he has a series he wrote that people enjoyed. I may check it out sooner or later, since other than the resolution, this was a good book.
The story centers around Joe Trumbull ("JT" to his friends) who lives alone in Kingston, New York. His apartment is one of two above a boxing gym, in what was the Kingston Greyhound. When we meet Joe, he's headed out on a blind date, his first date since his fiance was murdered a little of 2 years ago.
Joe's date goes well, she even forgives him for being a Probation Officer. Or doesn't mind. She doesn't matter, because they find her strangled in a grave yard a few days later, much like JT's fiancee was. (To be fair, fiancee was strangled and left in her bed.)
However, almost every woman JT interacts with over the next few days winds up being strangled, and the State Police discover that JT's necktie and shoelaces were the garottes.
So, needless to say, JT is the prime suspect, particularly since the deaths all resemble that of his fiancee's.
It's a good set up, and the plot moves at a speedy pace. Problem is, when we find out what is actually going on, the entire things falls apart. And not in the way things normally fall apart. More like the answer is mildly understandable, BUT goes so far over the top that it almost completely ruins the build up.
I guess he has a series he wrote that people enjoyed. I may check it out sooner or later, since other than the resolution, this was a good book.
Saturday, August 26, 2017
Really?
I recently inherited about 10 books from my Training coordinator, who's former roommate left them at his house. Among them were a few John Saul novels, an author I haven't read since probably 1992.
Darkness was a reminder of why it's been a while.
The story centers around Villejeune, Florida, a village about 50 miles south of Orlando on the cusp of the Everglades. The town is divided into the working class (with a few rich folks who's lives improved by the number of retirees moving in) and the Swamp Rats, living in shacks in the swamps.
With me so far? In Villejeune, we have the local lawyer, who's adoptive son seems to have a preternatural understanding of the swamp, and a complete lack of emotion.
Moving back into town, we have the Anderson family, who's adopted daughter seems to have very few emotions, although she's a bit looney, trying to cut a baby out of herself that doesn't exist.
Both teens have vision of ancient looking men reaching out of mirrors for them.
And the daughter's grandfather, Carl, is getting vitamin shots from the local doctor that keep him hale and healthy.
While out in the Swamp, the Dark Man is sacrificing their children.
It's really kind of silly, since I had most of the major plot twists figured out LONG before any of the characters did. Also, much like Dean R. Koontz, he does his best to make extreme science the culprit, even if there is a touch of supernatural floating around the swamp.
I mean, I guess I get that we're in the old horror trope of sacrificing the young to keep the old alive and healthy, but it's doesn't particularly excuse the resolution of this silliness involving the children eating their elders.
It's easy reading, and it hold attention, and it doesn't delve quite as deeply into the silly levels Richard Laymon did, but it still reads like a contract novel, designed to pull money out of people's pockets for a cardboard display.
Darkness was a reminder of why it's been a while.
The story centers around Villejeune, Florida, a village about 50 miles south of Orlando on the cusp of the Everglades. The town is divided into the working class (with a few rich folks who's lives improved by the number of retirees moving in) and the Swamp Rats, living in shacks in the swamps.
With me so far? In Villejeune, we have the local lawyer, who's adoptive son seems to have a preternatural understanding of the swamp, and a complete lack of emotion.
Moving back into town, we have the Anderson family, who's adopted daughter seems to have very few emotions, although she's a bit looney, trying to cut a baby out of herself that doesn't exist.
Both teens have vision of ancient looking men reaching out of mirrors for them.
And the daughter's grandfather, Carl, is getting vitamin shots from the local doctor that keep him hale and healthy.
While out in the Swamp, the Dark Man is sacrificing their children.
It's really kind of silly, since I had most of the major plot twists figured out LONG before any of the characters did. Also, much like Dean R. Koontz, he does his best to make extreme science the culprit, even if there is a touch of supernatural floating around the swamp.
I mean, I guess I get that we're in the old horror trope of sacrificing the young to keep the old alive and healthy, but it's doesn't particularly excuse the resolution of this silliness involving the children eating their elders.
It's easy reading, and it hold attention, and it doesn't delve quite as deeply into the silly levels Richard Laymon did, but it still reads like a contract novel, designed to pull money out of people's pockets for a cardboard display.
Monday, August 21, 2017
Not bad for an advertisement....
So I picked up Urban Enemies (edited by Joseph Nassise) mainly because Kevin Hearne advertised that it contained "The Naughtiest Cherub", which tells the story of Loki meeting Lucifer. (I should mention: the gimmick here is that all the stories in here are told from the point of view of the antagonists of their various series.)
There are other authors and other series in here that I read, so they were a sort of bonus.
We start off strong with Jim Butcher's "Even Hand", told from Marcone's perspective, as he's forced to enforce his part of the Accords. I suppose Marcone is a villain, but the Dresden files is filled with other complex antagonists who would be more qualified as villains. Not that it matters, it mostly has to do with Marcone mediating a rather violent dispute between some Formori and the local White Court of vampires. Using bombs.
"Sixty Six Seconds" by Craig Schaffer (I'm skipping a few here, since a few of the stories weren't particularly of interest to me, so I'm doing highlights) Crosses his Daniel Faust series with his Harmony Black series. It mainly concerns demons collecting bounties on souls. It reads a bit like Simon R. Green, without the cheekiness.
"The Naughtiest Cherub" by Kevin Hearne continues my love/hate of the Iron Druid. I mean, while giving Lucifer quirks of liking Prince and David Bowie, his portrayal of Loki continues to disappoint.
"Down Where the Darkness Dwells" by Joseph Nassise is ok, dealing with a necromancer who manages to form a symbiotic relationship with Asheral, a fallen angel.
"Bellum Romanum" by Carrie Vaughn deals with the origins of the vampire Gauis Albinus who is somehow responsible for Pompeii.
"Make It Snappy" by Faith Hunter concerns the Master Vampire of New Orleans and his brother.
"The Difference Between Deceit and Delusion" by Domino Finn follows Tunji Malu, some kind of African demon who eats people. He also has a very charming tarantula the size of a small car named Ananasi.
"Balance" by Seanan McGuire explains much of the history of the Jhorlac (aka Cuckoos) and how they operate.
There are other stories and authors in here, but these were the ones that actually stuck out to me and made me want to see if the library has their series. Mind you, what it really served to do was make me wish Jim Butcher would write another Dresden File....
There are other authors and other series in here that I read, so they were a sort of bonus.
We start off strong with Jim Butcher's "Even Hand", told from Marcone's perspective, as he's forced to enforce his part of the Accords. I suppose Marcone is a villain, but the Dresden files is filled with other complex antagonists who would be more qualified as villains. Not that it matters, it mostly has to do with Marcone mediating a rather violent dispute between some Formori and the local White Court of vampires. Using bombs.
"Sixty Six Seconds" by Craig Schaffer (I'm skipping a few here, since a few of the stories weren't particularly of interest to me, so I'm doing highlights) Crosses his Daniel Faust series with his Harmony Black series. It mainly concerns demons collecting bounties on souls. It reads a bit like Simon R. Green, without the cheekiness.
"The Naughtiest Cherub" by Kevin Hearne continues my love/hate of the Iron Druid. I mean, while giving Lucifer quirks of liking Prince and David Bowie, his portrayal of Loki continues to disappoint.
"Down Where the Darkness Dwells" by Joseph Nassise is ok, dealing with a necromancer who manages to form a symbiotic relationship with Asheral, a fallen angel.
"Bellum Romanum" by Carrie Vaughn deals with the origins of the vampire Gauis Albinus who is somehow responsible for Pompeii.
"Make It Snappy" by Faith Hunter concerns the Master Vampire of New Orleans and his brother.
"The Difference Between Deceit and Delusion" by Domino Finn follows Tunji Malu, some kind of African demon who eats people. He also has a very charming tarantula the size of a small car named Ananasi.
"Balance" by Seanan McGuire explains much of the history of the Jhorlac (aka Cuckoos) and how they operate.
There are other stories and authors in here, but these were the ones that actually stuck out to me and made me want to see if the library has their series. Mind you, what it really served to do was make me wish Jim Butcher would write another Dresden File....
Sunday, August 13, 2017
Meanwhile, off the coast of Zanzibar....
I'm actually a few days late updating, since I finished the book Friday, but I spent my weekend camping and watching the Perseid, which has nothing to do with Devil's Due, Taylor Anderson's latest in the Destroyermen series.
Now you'll pardon me for saying this, but I'm finding the more recent installments are a color commentator away from being WWE RAW or Smackdown. Because we get a lot of set up, one lesser battle about the midpoint (in south America), followed by the last 1/4 of the book, where th etitle fight happens in Zanzibar as Matthew Ready leads the raid to rescue his wife from Kurokawa and the Jaa-ph clan.
This is not to say it's a bad book, since it's not, it's just that it's becoming a bit formulaic. On the bright side, there's a fairly major development at the end of the book, which should make the next phase a bit more interesting, assuming we don't spend the next book in South America.
So really, here's a breakdown.
The Marines chasing the Dominion through the jungle figure out that they've been chasing a ghost force, leading Shinya to reevaluate how to proceed.
General Esshk and the Chooser of the Grik are busy in deepest Africa readying the Final Swarm to drive the Allies back off of Madagascar.
All the fleet not currently involved in the Eastern Theater or circumnavigating the globe to try to catch up with the New United States, get involved on the raid of Zanzibar, in the hopes of saving the prisoners there as well as well as stopping supplies coming from Zanzibar assisting the Final Swarm.
And our boat headed to Cuba via Africa does arrive after taking out both a Dominion Boat and a League Ship.
We're getting more on the League in this book that previous installments, finding that their arrival in this world was during a Spanish/French/Italian Fascist armada aimed at taking out their world's British Navy.
We briefly get to meet a member of the NUSA.
We see the Republic of Real People (down in South Africa) get their various colonial armies together to march on the Celestial City of the Grik.
By far, though, the biggest surprise comes at the end, and I imagine that those consequences will stretch over a few books.
Not bad for a series that was originally supposed to be a trilogy.
Now you'll pardon me for saying this, but I'm finding the more recent installments are a color commentator away from being WWE RAW or Smackdown. Because we get a lot of set up, one lesser battle about the midpoint (in south America), followed by the last 1/4 of the book, where th etitle fight happens in Zanzibar as Matthew Ready leads the raid to rescue his wife from Kurokawa and the Jaa-ph clan.
This is not to say it's a bad book, since it's not, it's just that it's becoming a bit formulaic. On the bright side, there's a fairly major development at the end of the book, which should make the next phase a bit more interesting, assuming we don't spend the next book in South America.
So really, here's a breakdown.
The Marines chasing the Dominion through the jungle figure out that they've been chasing a ghost force, leading Shinya to reevaluate how to proceed.
General Esshk and the Chooser of the Grik are busy in deepest Africa readying the Final Swarm to drive the Allies back off of Madagascar.
All the fleet not currently involved in the Eastern Theater or circumnavigating the globe to try to catch up with the New United States, get involved on the raid of Zanzibar, in the hopes of saving the prisoners there as well as well as stopping supplies coming from Zanzibar assisting the Final Swarm.
And our boat headed to Cuba via Africa does arrive after taking out both a Dominion Boat and a League Ship.
We're getting more on the League in this book that previous installments, finding that their arrival in this world was during a Spanish/French/Italian Fascist armada aimed at taking out their world's British Navy.
We briefly get to meet a member of the NUSA.
We see the Republic of Real People (down in South Africa) get their various colonial armies together to march on the Celestial City of the Grik.
By far, though, the biggest surprise comes at the end, and I imagine that those consequences will stretch over a few books.
Not bad for a series that was originally supposed to be a trilogy.
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